Includes unlimited streaming of Nuklear Fetisch
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about
“"Schreie" was shot in northern Germany, on the desert-like terrain of a disused nuclear power plant. We wanted to make a visual homage to Madmax, and we fulfilled that wish with the support of Grenzwert Images from Berlin. After a long search, we bought a suitable car and tinkered with it in the spring for weeks. We had a lot of fun doing that. We then had to drive the car with a trailer to the location, as it was no longer allowed for traffic. That attracted a lot of attention on the street. Since the song is about kidnapping, we were looking for a suitable female cast. However, we quickly decided that our drummer Roman would take over the role of the lady. This not only looks more bizarre, we were also able to act very roughly with him.” - SCHRAMM
SCHRAMM’s upcoming album is a masterclass in organized chaos, as the band pounds through 15 tracks with massive riffs, hypnotic synth and bone rattling beats that showcase a blend of influences such as electro, industrial, rock, gothic, metal and 90’s dance.
“It's all danceable, but you can also shake your head. We sing in German without exception and address dystopian and bizarre topics. But also serious and political statements are included. Frontman Robert plays his theremin in many songs. Also live on stage. The musical instrument theremin has become a figurehead with us. In the song "Schreie" we have a feature of the Berlin EBM band AD: Key. In the song "Dreiezehn" a feature of THE HORRORIST. Oliver Chesler is a techno legend from New York ("One Night New York City"). He has spoken crazy lines of text in German for us.” - SCHRAMM
The industrial rock heavyweights return with their first album in over 20 years, produced by John Fryer (Nine Inch Nails, Cocteau Twins). Bandcamp New & Notable Mar 16, 2022
The Barcelona duo inject coldwave with industrial grit and ghostly elegance, with Andrea P. Latorre’s vocals an undeniable highlight. Bandcamp New & Notable Feb 27, 2020
I was pleasantly-surprised by this album. I was expecting something colder, slower, and ambient from what little I first heard before I bought it. Instead, it's not too unlike the later Mechanical Soul. There's elements of old and new FLA here, and there's parts of this that I rather like. I wouldn't mind more collab songs, for one, or for more flirting with other genres. Give me both vaporwave-y songs AND hardcore industrial dance. Rocket Verliden